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Tubas mingle

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Tubas are made with either piston or rotary valves. Rotary valves, invented by Joseph Riedl, are based on a design included in the original valve patents by Friedrich Blühmel and Heinrich Stölzel in Pistons may either be oriented to point to the top of the instrument top-action, as pictured in the figure at the top of the article or out the front of the instrument front-action or side-action.

There are advantages and disadvantages to each valve style, but assertions concerning sound, speed, and clarity are difficult to quantify. German players generally prefer rotary valves while British and American players favor piston valves; the choice of valve type remains up to the performer.

Piston valves require more maintenance than rotary valves — they require regular oiling to keep them freely operating, while rotary valves are sealed and seldom require oiling.

Piston valves are easy to disassemble and re-assemble, while rotary valve disassembly and re-assembly is much more difficult and is generally left to qualified instrument repair persons.

Tubas generally have from three to six valves, though some rare exceptions exist. Among advanced players, four and five valve tubas are by far the most common choices, with six-valve tubas being relatively rare except among F tubas, which mostly have five or six valves.

The valves add tubing to the main tube of the instrument, thus lowering its fundamental pitch. The first valve lowers the pitch by a whole step two semitones , the second valve by a semitone, and the third valve by three semitones.

Used in combination, the valve tubing is too short and the resulting pitch tends to be sharp. Thus, the first and third valves used in combination lower the pitch by something just short of five semitones, and the first three valves used in combination are nearly a quarter tone sharp.

The fourth valve is used in place of combinations of the first and third valves, and the second and fourth used in combination are used in place of the first three valves in combination.

The fourth valve can be tuned to lower the pitch of the main tube accurately by five semitones, and thus its use corrects the main problem of combinations being too sharp.

By using the fourth valve by itself to replace the first and third combination, or the fourth and second valves in place of the first, second and third valve combinations, the notes requiring these fingerings are more in tune.

The fourth valve used in combination with, rather than instead of, the first three valves fills in the missing notes in the bottom octave allowing the player to play chromatically down to the fundamental pitch of the instrument.

For the reason given in the preceding paragraph some of these notes will tend to be sharp and must by "lipped" into tune by the player. A fifth and sixth valve, if fitted, are used to provide alternative fingering possibilities to improve intonation, and are also used to reach into the low register of the instrument where all the valves will be used in combination to fill the first octave between the fundamental pitch and the next available note on the open tube.

The fifth and sixth valves also give the musician the ability to trill more smoothly or to use alternative fingerings for ease of playing.

This type of tuba is what is most found in orchestras and wind bands around the world. In CC tubas with five valves, the fifth valve may be tuned as a flat whole step or as a minor third depending on the instrument.

Some tubas have a compensating system to allow accurate tuning when using several valves in combination, simplifying fingering and removing the need to constantly adjust slide positions.

The most popular of the automatic compensation systems was invented by Blaikley Bevan, and was patented by Boosey later, Boosey and Hawkes , which also, later still, produced Besson instruments.

The patent on the system limited its application outside of Britain, and to this day tubas with compensating valves are primarily popular in the United Kingdom and countries of the former British Empire.

The Blaikley design plumbs the instrument so that if the fourth valve is used, the air is sent back through a second set of branches in the first three valves to compensate for the combination of valves.

This does have the disadvantage of making the instrument significantly more "stuffy" or resistant to air flow when compared to a non-compensating tuba.

This is due to the need for the air to flow through the valves twice. It also makes the instrument heavier. But many prefer this approach to additional valves or to manipulation of tuning slides while playing to achieve improved intonation within an ensemble.

Most modern professional-grade euphoniums also now feature Blaikley-style compensating valves. Some tubas have a strong and useful resonance that is not in the well-known harmonic series.

These alternative resonances are often known as false tones or privileged tones. Thus, even three-valved instruments with good alternative resonances can produce very low sounds in the hands of skilled players; instruments with four valves can play even lower.

The fundamental of this pitch borders on infrasound and its overtones define the pitch in the listener's ear. The most convincing explanation [ according to whom?

The bell remains an anti-node, but there would then be a node one-third of the way back to the mouthpiece. However, the node and the antinode collide in the same spot and cancel out the fundamental.

The tuba is generally constructed of brass , which is either unfinished, lacquered or electro-plated with nickel , gold or silver. Unfinished brass will eventually tarnish and thus must be periodically polished to maintain its appearance.

There are many types of tubas that are manufactured in Europe, the United States, and Asia. Some tubas are capable of being converted into a marching style, known as "marching tubas".

A leadpipe can be manually screwed on next to the valves. The tuba is then usually rested on the left shoulder although some tubas allow use of the right shoulder , with the bell facing directly in front of the player.

Some marching tubas are made only for marching, and cannot be converted into a concert model. Most marching bands opt for the sousaphone , an instrument that is easier to carry since it was invented specifically for this and almost always cheaper than a true marching tuba.

Drum and bugle corps players, however, generally use marching tubas or Contrabass bugles. Standard tubas can also be played whilst standing.

With the comfort of the player in mind, companies have provided harnesses that sometimes use a strap joined to the tuba with two rings, a 'sack' to hold the bottom of the tuba, or numerous straps holding the larger parts of tubing on the tuba.

The strap s goes over the shoulder like a sash or sit at the waist, so the musician can play the instrument in the same position as when sitting.

The tuba has been used in jazz since the genre's inception. In the earliest years, bands often used a tuba for outdoor playing and a double bass for indoor performances.

In this context, the tuba was sometimes called "brass bass", as opposed to the double bass string bass. Many musicians played both instruments. This practice was mostly used in the New Orleans jazz scene.

The tuba was used most frequently with the Louis Armstrong groups and prominent in the album Hot Five. In modern jazz, it is not unknown for their players to take solos.

From Wikipedia, the free encyclopedia. Type of musical instrument of the brass family. For other uses, see Tuba disambiguation.

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Unsourced material may be challenged and removed. Brass instruments. String instruments. Brass instrument valves Contrabass bugle Subcontrabass tuba Sousaphone Helicon instrument List of tuba players Roman tuba Tubachristmas music event Wagner tuba.

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Tubas mingle

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